The Art and Craft of Fiction a Writers Guide by Michael Kardos Pdf

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The Fine art and Craft of Fiction

A Writer'southward GuideSecond Edition ©2017

Brief, practical, and affordable, The Fine art and Craft of Fiction gives aspiring writers all they need, in a friendly vocalisation that students love. Michael Kardos focuses on technique and presents fiction writing as a teachable (and learnable) art. With an system built on methods and process r...

Brief, practical, and affordable, The Fine art and Craft of Fiction gives aspiring writers all they demand, in a friendly voice that students love. Michael Kardos focuses on technique and presents fiction writing as a teachable (and learnable) art. With an organization built on methods and process rather than traditional literary elements, Kardos helps students begin their stories, write potent scenes, utilize images and inquiry detail, revise for aesthetics and mechanics, and finish and shine their own stories. Instructors trust The Art and Craft of Fiction to help construction their course, and reinforce and complement their instruction points with examples and exercises. A brief fiction anthology at the back of the book includes 15 selections that instructors praise for their usefulness in the creative writing classroom.

     The Art and Craft of Fiction is available in a variety of e-book formats. For more information almost our due east-book partners, visit macmillanlearning.com/ebooks.

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Cursory, practical, and affordable, The Art and Craft of Fiction gives aspiring writers all they demand, in a friendly voice that students dearest. Michael Kardos focuses on technique and presents fiction writing equally a teachable (and learnable) art. With an organisation built on methods and process rather than traditional literary elements, Kardos helps students begin their stories, write potent scenes, employ images and inquiry detail, revise for aesthetics and mechanics, and finish and polish their ain stories. Instructors trust The Art and Arts and crafts of Fiction to help structure their course, and reinforce and complement their teaching points with examples and exercises. A cursory fiction anthology at the back of the volume includes fifteen selections that instructors praise for their usefulness in the artistic writing classroom.

     The Art and Craft of Fiction is available in a variety of e-book formats. For more information about our east-book partners, visit macmillanlearning.com/ebooks.

Moves students from learning arts and crafts — to creating art.  Michael Kardos gets writers started with a focused approach to kickoff, ending, and revising a story. Highly-praised capacity on how to write compelling scenes and stories move students through technique — and toward artistry.

A "boot camp" of the basics. A favorite among reviewers, a "kicking army camp" chapter on mechanics helps writers refine their work and avert common errors, such as mispunctuated dialogue and comma splices.

But plenty stories. Enough of practice. A brief anthology of fifteen stories, referenced frequently with the instructional chapters, offers models that Kardos draws on in his teaching — including Tobias Wolff, Jhumpa Lahiri, Sherman Alexie, and other masters of the brusque story form. Lively assignments and student examples help writers build on what they learn.

Friendly, concise, and speaks to students equally fellow writers.  Kardos gives students just the correct amount of guidance — in a conversational tone that reviewers describe as "pitch perfect."

New to This Edition

Practical advice on research. In a new section in Chapter 2, adult with the input of numerous creative writing instructors, Kardos walks students through the dos and don'ts of researching material to include in their stories, and offers communication on how to balance research with the artistic writing process.

Compelling new album selections. Stories by Etgar Keret, Susan Perabo, and Kevin Moffett round out an anthology instructors praise. Students love –and learn from—these works.

New exercises. The 2nd edition includes new exercises on drawing on feel, describing events, opening stories, and achieving clarity.

To get the almost out of The Fine art and Craft of Fiction, assign it with LaunchPad Solo for Literature,which can be packaged at no boosted cost. In this course space, you can build interactive, collaborative assignments around your favorite reading selections and video content – and draw on the content we offering there, also.

"Easily the most readable craft textbook I've always encountered. I savor reading the chapters for their own sake. I know my students feel the same mode."
– John Vanderslice, University of Central Arkansas

"Each semester, I have students who tell me how helpful they constitute this volume to exist."
– Betty Wisepape, University of Texas–Dallas

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Tabular array of Contents

Fine art & Arts and crafts

ane. Thinking, Reading, and Writing Like a Author

Existence a Author Means Paying Attention
Why a Textbook (And Why This Textbook?)
Rules of the Road
Reading Similar a Writer
Finding Ideas for Stories
A Word to the Novelist
What'due south the Point of All This?

2. The Extreme Importance of Relevant Detail
Details and Believability
Details and Engaging the Reader
Showing and Telling
Fiction Writing as Telepathy
Getting the Details Right (a.k.a. Researching Your Story)
Which Details to Include?
Nothing More Than Feelings
Details and the Writer's Sensibility

three. Starting Your Story
What Beginnings Do
Reveal Central Information
Establish the Story's Stakes
Starting time with a Break from Routine
Consider Starting In Medias Res
Whose Perspective Should You Choose?
Other Information to Convey Sooner Rather Than Later
Ultimately, It's Your Call

four. Working with the Elements of Fiction
Graphic symbol
Plot
Causality
Setting
Betoken of View (POV)
Voice
Theme

five. Creating Scenes: A Nuts & Bolts Approach
Dialogue
Narration
Description
Exposition
Interiority
Scene-Writing, Final Notes

6. Organizing Your Story: Course & Structure
Classic Story Construction and the Freytag Pyramid
Disharmonize
Climax
Decision: What Has Changed?
Form = Meaning
Other Means to Tell a Story
Scene and Summary
Case Study: Structural False

7. Writing a Compelling Story
High Stakes
Character Want
Active Protagonists
The Atypical Solar day (A Interruption from Routine)
External Conflict
Internal Conflict / Presenting Characters' Interior Lives
Compressed Time Period
Suspense (As Opposed to Withheld Data)
Originality

8. Ending Your Story
The Challenge
Strategies for Ending Your Story
Mutual Pitfalls
Getting the Words Right
Two Final Thoughts on Endings

9. The Power of Clarity
Vagueness verses Ambivalence
Clear Words
Articulate Sentences
Clear Stories: A Few Words of Advice
Clarity: Some Final Thoughts

10. Revising Your Story
The Case for Revision
What Is "Revision," Anyway?
What Is a "Starting time Draft"?
Twelve Strategies for Revision
How Do Y'all Know When Your Story Is (Really, Truly) Done?

Kick Military camp

11. The Mechanics of Fiction: A Writer's Boot Camp

Formatting and Punctuating Dialogue
Addressing a Person in Dialogue
Paragraph Breaks in Dialogue
Double Quotation Marks / Single Quotation Marks
Quick Quiz: Repair This Sentence
Scare Quotes
Formatting and Punctuating a Character'southward Thoughts
Comma Splices
"Who" and "That"
Exclamation Marks, Question Marks, All-Caps
Conjugation of "Lie" and "Lay"
Quick Quiz: Cull the Correct Sentence
Sentences That Begin with an "-ing" Discussion
Some Final Advice
The Mechanics of Fiction: Do Test

Anthology

12. A Mini-Anthology: 15 Stories

1. Sherman Alexie, This is What information technology Means to Say Phoenix, Arizona
two. Richard Bausch, Tandolfo the Great
iii. Kevin Brockmeier, A Fable with Slips of White Paper Spilling from the Pockets
4. Percival Everett, The Appropriation of Cultures
five. Becky Hagenston, Midnight, Licorice, Shadow
6. Etgar Keret, What, of this Goldfish, Would You Wish?
seven. Jhumpa Lahiri, This Blessed House
8. Jill McCorkle, Magic Words
ix. Kevin Moffett, Ane Dog Year
ten. Tim O'Brien, On the Rainy River
xi. ZZ Packer, Drinking Coffee Elsewhere
12. Susan Perabo, Indulgence
13. Karen Russell, St. Lucy's Home for Girls Raised by Wolves
14. John Updike, A&P
15. Tobias Wolff, Bullet in the Brain

Michael Kardos

Michael Kardos (michaelkardos.com) is an associate professor and co-manager of the artistic program at Mississippi Country Academy. He is the author of the story collection One Concluding Practiced Time (Printing 53), and the novels The Iii-24-hour interval Affair, Earlier He Finds Her, and the forthcoming Bluff, all from the Mysterious Press imprint of Grove Atlantic. His short stories have appeared in The Southern Review, Crazyhorse, Prairie Schooner, and many other magazines and anthologies. His essays about fiction have appeared in The Writer's Relate and Author's Digest. Kardos received his B.A. from Princeton University, his Grand.F.A. from The Ohio Land Academy, and his Ph.D. from the University of Missouri. Kardos is author of the Bedford text, The Art and Craft of Fiction: A Writer's Guide and a contributor to Bedford's LitBits where he blogs about pedagogy artistic writing.

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Bibliography -- Resources for Fiction Writers

orourkesors1954.blogspot.com

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